Say what, BBC? Lol. BBC
World News insults Nigeria on twitter...
Sorry
about the Lol, it's not funny I know but I just couldn't resist. The
'unfinished capital' cracked me up. So BBC says Abuja was built on stolen land,
stolen from who? Continue to read the pic's accompanying article
Written
by By Alex Preston for BBC News
When
one of Nigeria's long line of military rulers, General Olusegun Obasanjo,
seized the land on which Abuja was to be built in the late 1970s, he could
hardly have imagined that the city would remain unfinished 35 years on.
Abuja
has a makeshift, haphazard feel to it: A place of bureaucrats and building
sites, its streets eerily empty after the buzz of Lagos or the enterprising
bustle of Kano.
It
is one of the most expensive cities in Africa, and one of the most charmless.
The
skyline is dominated by the space-rocket spires of the National Christian
Centre and the golden dome of the National Mosque, facing each other
pugnaciously across a busy highway at the city's centre.
Its
other striking landmark is the vast construction site of the Millennium Tower,
which, if it is ever completed, will be Nigeria's tallest building.
The
skyscraper was intended to mark Abuja's 20th birthday in 2011. Now delayed
until who-knows-when, hugely over-budget and the subject of numerous official
investigations.
The National Mosque stands at the side of a
busy road in the city centre
All
the people of Abuja have to show for the billions invested in the project are
two stunted fingers of scaffold-clad concrete.
I
had been in Abuja for three days - about two-and-a-half too many - when my
friend, Atta, a sociologist, picked me up from my hotel.
We
drove out towards Aso Rock, the monolith looming over the presidential palace.
On
either side of the road there are complexes of bulky, imposing mansions, most
of them unfinished.
Some
had empty swimming pools; others had mock-Tudor timbering, but were windowless
and often roofless.
Atta
told me that 65% of the houses in these developments were uninhabited, put up
only to launder Abuja's dirty money.
Like
the Millennium Tower, these grandiose schemes are ruins before they are
completed, bleak monuments to a city built by kleptocratic politicians on
stolen land.
We
pulled off the Murtala Mohammed Highway at Mpape Junction, and immediately the
road deteriorated.
There
are many uninhabited mansions near Aso Rock
"I
am going to show you the real Abuja," Atta told me, as his car struggled
up a deeply-rutted dirt track.
A
warm wind from the desert to the north - the Harmattan - whipped clouds of red
dust around us as we climbed through rocky scrubland into the hills.
“Start
Quote
Life
here is difficult. Often we can't see across the street because of the smoke
and dust”
Mary
People
began to appear on the streets - men carrying ancient Singer sewing machines,
women balancing baskets on their heads.
We
entered a vast shanty-town of shacks with corrugated iron roofs, slums stacking
to the horizon.
Nissan
minivans scuttled past - they are called "One Chance" buses, as they
barely stop on their manic journeys through these uncharted streets.
Crowds
thronged between skinny cows, beneath posters advertising beaming
televangelists.
Dance
music blared out, interrupted by a muezzin's call to prayer. Bright-eyed
children kicked footballs about.
This
was the home of the Gwari people, the original inhabitants of the land where
the capital was built.
Hundreds
of thousands of them were summarily evicted in the 1970s, and now scrape a
living in the hills.
Many
of the original owners of the land around Abuja are now living in poverty
Abuja
is itself a Gwari word and, although the city of generals and politicians below
us had barely 700,000 inhabitants, two or three million people live in these
shanty towns, many of them Gwari.
The
Gwari people continue to fight for compensation for the land wrested from them
by the Obasanjo government, land now worth more per square kilometre than
almost anywhere else in Africa.
We
got out and walked through the smoke and dust towards a row of shacks.
In
one of them, a woman knelt on the ground plucking a chicken, a man above her
leaning on a makeshift bar.
They
were Frank and Mary, Gwari people in their thirties, children of one of the
thousands of families originally evicted during the foundation of Abuja.
The
four of us sat in the shack sipping Fantas, staring out at the swarming life of
the shanty town: Motorbikes and cattle and people, all of them through a veil
of reddish dust.
"I
trained as an architect," Frank told me. "I have an education. But I
do not have money, I don't know the right people. So I work here with my
sister. In Abuja, money defines everything."
I
ask him about the empty mansions lining the roads into the city.
"That
is pseudo-Abuja, a false place. It's unjust - we should be living in those
houses. Instead…" He gestured to the squalid lean-to that jutted from the
back of the bar.
Mary
looked up from her chicken. "Life here is difficult," she says.
"Often
we can't see across the street because of the smoke and dust. If it rains, you
can't move for the mud. But we pray hard."
Thick
dust and smoke often fill the streets
Frank
pulled out a CD. It was Fela Kuti's Suffering and Smiling.
"This,"
Frank said, as the music coiled out from an ancient hi-fi, "is the
compressed statement of Nigerian society. We suffer, but we smile. Nothing will
change until we get angry, until we stop smiling."
A
storm was coming in, red clouds rolling overhead and thunder crackling down the
valleys.
Frank
and Mary stood waving to us, the music playing still, as we drove off down the
hill, towards pseudo-Abuja.
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